Silent in the Grave Excerpt

I’d say that I met Nicholas Brisbane over my husband’s dead body is not entirely accurate. Edward, it should be noted, was still twitching upon the floor.

I stared at him, not quite taking in the fact that he had just collapsed at my feet. He lay, curled like a question mark, his evening suit ink-black against the white marble of the floor. He was writhing, his fingers knotted.

I leaned as close to him as my corset would permit.

"Edward, we have guests. Do get up. If this is some sort of silly prank—"

"He is not jesting, my lady. He is convulsing."

An impatient figure in black pushed past me to kneel at Edward’s side. He busied himself for a few brisk moments, palpating and pulse-taking, while I bobbed a bit, trying to see over his shoulder. Behind me the guests were murmuring, buzzing, pushing closer to get a look of their own. There was a little thrill of excitement in the air. After all, it was not every evening that a baronet collapsed senseless in his own music room. And Edward was proving rather better entertainment than the soprano we had engaged.

Through the press, Aquinas, our butler, managed to squeeze in next to my elbow.

"My lady?"

I looked at him, grateful to have an excuse to turn away from the spectacle on the floor.

"Aquinas, Sir Edward has had an attack."

"And would be better served in his own bed," said the gentleman from the floor. He rose, lifting Edward into his arms with a good deal of care and very little effort, it seemed. But Edward had grown thin in the past months. I doubted he weighed much more than I.

"Follow me," I instructed, although Aquinas actually led the way out of the music room. People moved slowly out of our path, as though they regretted the little drama ending so quickly. There were some polite murmurs, some mournful clucking. I heard snatches as I passed through them.

"The curse of the Greys, it is—"

"So young. But of course his father never saw thirty-five."

"Never make old bones—"

"Feeble heart. Pity, he was always such a pleasant fellow."

I moved faster, staring straight ahead so that I did not have to meet their eyes. I kept my gaze fixed on Aquinas’ broad, black-wool back, but all the time I was conscious of those voices and the sound of footsteps behind me, the footsteps of the gentleman who was carrying my husband. Edward groaned softly as we reached the stairs and I turned. The gentleman’s face was grim.

"Aquinas, help the gentleman—"

"I have him," he interrupted, brushing past me. Aquinas obediently led him to Edward’s bedchamber. Together they settled Edward onto the bed, and the gentleman began to loosen his clothes. He flicked a glance toward Aquinas.

"Has he a doctor?"

"Yes, sir. Doctor Griggs, Golden Square."

"Send for him. Although I dare say it will be too late."

Aquinas turned to me where I stood, hovering on the threshold. I never went into Edward’s room. I did not like to do so now. It felt like an intrusion, a trespass on his privacy.

"Shall I send for Lord March as well, my lady?"

I blinked at Aquinas. "Why should Father come? He is no doctor."

But Aquinas was quicker than I. I had thought the gentleman meant that Edward would have recovered from his attack by the time Doctor Griggs arrived. Aquinas, who had seen more of the world than I, knew better.

He looked at me, his eyes carefully correct, and then I understood why he wanted to send for Father. As head of the family he would have certain responsibilities.

I nodded slowly. "Yes, send for him." I moved into the room on reluctant legs. I knew I should be there, doing whatever little bit that I could for Edward. But I stopped at the side of the bed. I did not touch him.

"And Lord Bellmont?" Aquinas queried.

I thought for a moment. "No, it is Friday. Parliament is sitting late."

That much was a mercy. Father I could cope with. But not my eldest brother as well. "And I suppose you ought to call for the carriages. Send everyone home. Make my apologies."

He left us alone then, the stranger and I. We stood on opposite sides of the bed, Edward convulsing between us. He stopped after a moment and the gentleman placed a finger at his throat.

"His pulse is very weak," he said finally. "You should prepare yourself."

I did not look at him. I kept my eyes fixed on Edward’s pale face. It shone with sweat, its surface etched with lines of pain. This was not how I wanted to remember him.

"I have known him for more than twenty years," I said finally, my voice tight and strange. "We were children together. We used to play pirates and knights of the Round Table. Even then, I knew his heart was not sound. He used to go quite blue sometimes when he was overtired. This is not unexpected."

I looked up then to find the stranger’s eyes on me. They were the darkest eyes I had ever seen, witch-black and watchful. His gaze was not friendly. He was regarding me coldly, as a merchant will appraise a piece of goods to determine its worth. I dropped my eyes at once.

"Thank you for your concern for my husband’s health, sir. You have been most helpful. Are you a friend of Edward’s?"

He did not reply at once. Edward made a noise in the back of his throat and the stranger moved swiftly, rolling him onto his side and thrusting a basin beneath his mouth. Edward retched, horribly, groaning. When he finished, the gentleman put the basin to the side and wiped his mouth with his handkerchief. Edward gave a little whimper and began to shiver. The gentleman watched him closely.

"Not a friend, no. A business associate," he said finally. "My name is Nicholas Brisbane."

"I am—"

"I know who you are, my lady."

Startled at his rudeness, I looked up, only to find those eyes again, fixed on me with naked hostility. I opened my mouth to reproach him, but Aquinas appeared then. I turned to him, relieved.

"Aquinas?"

"The carriages are being brought round now, my lady. I have sent Henry for Doctor Griggs and Desmond for his lordship. Lady Otterbourne and Mr. Phillips both asked me to convey their concern and their willingness to help should you have need of them."

"Lady Otterbourne is a meddlesome old gossip and Mr. Phillips would be no use whatsoever. Send them home."

I was conscious of Mr. Brisbane behind me, listening to every word. I did not care. For some unaccountable reason, the man thought ill of me already. I did not mind if he thought worse.

Aquinas left again, but I did not resume my post by the bed. I took a chair next to the door and remained there, saying nothing and wondering what was going to happen to all of the food. We had ordered far too much in any event. Edward never liked to run short. I could always tell Cook to serve it in the servants’ hall, but after a few days even the staff would tire of it. Before I could decide what to do with the lobster patties and salad molds, Aquinas entered again, leading Doctor Griggs. The elderly man was perspiring freely, patting his ruddy face with a handkerchief and gasping. He had taken the stairs too quickly. I rose and he took my hand.

"I was afraid of this," he murmured. "The curse of the Greys, it is. All snatched before their time. My poor girl." I smiled feebly at him. Doctor Griggs had attended my mother at my birth, as well as her nine other confinements. We had known each other too long to stand on ceremony. He patted my hand and moved to the bed. He felt for Edward’s pulse, shaking his head as he did so. Edward vomited again, and Doctor Griggs watched him carefully, examining the contents of the basin. I turned away.

I tried not to hear the sounds coming from the bed, the groans and the rattling breaths. I would have stopped my ears with my hands, but I knew it would look childish and cowardly. Griggs continued his examination, but before he finished Aquinas stepped into the room.

"Lord March, my lady." He moved aside and Father entered.

"Julia," he said, opening his arms. I went into them, burying my face against his waistcoat. He smelled of tobacco and book leather. He kept one arm tucked firmly around me as he looked over my head.

"Griggs, you damned fool. Julia should have been sent away."

The doctor made some reply, but I did not hear it. My father was pushing me gently out the door. I tried to look past him, to see what they were doing to Edward, but Father moved his body and prevented me. He gave me a sad, gentle smile. Anyone else might have mistaken that smile, but I did not. I knew he expected obedience. I nodded.

"I shall wait in my room."

"That would be best. I will come when there is something to tell."

My maid, Morag, was waiting for me. She helped me out of my silk gown and into something more suitable. She offered me warm milk or brandy, but I knew I would never be able to hold anything down. I only wanted to sit, watching the clock on the mantel as it ticked away the minutes left.

Morag continued to fuss, poking at the fire and muttering complaints about the work to come. She was right about that. There would be much work for her when I put on widow’s weeds. It was unlucky to keep crepe in the house, I reminded myself. It would have to be sent for after Edward passed. I thought about such things—crepe for the mirrors, black plumes for the horses—because then I did not have to think about what was happening in Edward’s room. It was rather like waiting for a birth, these long, tense minutes of sitting, straining one’s ears on tiptoe for the slightest sound. I expected to hear something, but the walls were thick and I heard nothing. Even when the clock struck midnight, the little voice on my mantel chiming twelve times, I could not hear the tall case clock in the hall. I started to mention the peculiarity of it to Morag, because one could always hear the case clock from any room in the house, when I realized what it meant.

"Morag, the clocks have stopped."

She looked at me, her lips parted to speak, but she said nothing. Instead she bowed her head and began to pray. A moment later, the door opened. It was Father. He said nothing. I went to him and his hand cradled my head like a benediction. He held me for a very long time, as he had not done since I was a child.

"It is all right, my dear," he said finally, sounding older and more tired than I had ever heard him. "It is over."

But of course, he was entirely wrong. It was only the beginning.

I he days leading up to the funeral were dire, as such days almost always are. Too many people, saying too many pointless things—the same pointless things that everyone always says. Such a tragedy, so unexpected, so very, very dreadful. And no matter how much you would like to scream at them to go away and leave you alone, you cannot, even if they are your family.

Especially if they are your family. In the week following Edward’s death, I was inundated with March relations. They flocked from the four corners of the kingdom, as mindful of the pleasures of London as their family duty. As etiquette did not permit me to be seen in public, they came to me at Grey House. The men—uncles, brothers, cousins—briefly paid their respects to Edward, laid out with awful irony in the music room, then spent the rest of their time arguing politics and arranging for amusements that would get them out of the house. My only consolation was the fact that, like locusts, they managed to finish off all of the leftover food from the night Edward died.

The women were little better. Under Aunt Hermia’s direction, the funeral was planned, the burial arranged, and my household turned entirely on its head. She carried around with her a notebook filled with endless lists that she was forever consulting with a frown or ticking off with a satisfied smile. There was the crepe to be ordered, mourning wreaths, funeral cards, black-bordered writing paper to be purchased, the announcement for the Times, and of course my wardrobe.

"Unrelieved black," she informed me, her brow furrowed as she struggled to make out her own handwriting. "There must be no sheen to the fabric and no white or grey," she reminded me.

"I know." I tried not to think of the new gowns, delivered only the day before Edward’s death. They were pale, soft colours, the shades of new flowers in spring. I should have to give them to Morag to sell at the secondhand stalls now. They would never dye dark enough to pass for mourning.

"No jewels, except hair jewelry," Aunt Hermia was saying. I repressed a shudder. I had never warmed to the notion of wearing a dead person’s hair braided around my wrist or knotted at my ears. "After a year and a day, you will be permitted black fabric with a sheen, and deep purple or grey with a black stripe. If you choose to wear black after that time, you may relieve it with touches of white. Although," she added with a conspiratorial look, "I think a year is quite enough, and you must do what you like after that."

I glanced at my sister Portia, who was busy feeding her ancient pug some rather costly crab fritters laced with caviar. She looked up and wrinkled her nose at me over Puggy’s head.

"Don’t fret, dearest. You have always looked striking in black."

I grimaced at her and turned back to Aunt Hermia, who was deliberately ignoring Portia’s flippancy. As children, we had been quite certain that Aunt Hermia was partially deaf. It was only much later when we realized that there was absolutely nothing wrong with her hearing. The trick of hearing only what she wanted had enabled her to raise her widowed brother’s ten children with some measure of sanity.

"Black stockings of course," she was saying, "and we shall have to order some new handkerchiefs edged in black."

"I am working on them now," said my sister Bee from the corner. Industrious as her namesake, she kept her head bowed over her work, her needle whipping through the fine lawn with its load of thin black silk.

  • Fresh from a six-month sojourn in Italy, Lady Julia returns home to Sussex to find her father’s estate crowded with family and friends—but dark deeds are afoot at the deconsecrated abbey, and a murderer roams the ancient cloisters.

    Much to her surprise, the one man she had hoped to forget—the enigmatic and compelling Nicholas Brisbane—is among ...

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Deanna Raybourn

A sixth-generation native Texan, Deanna Raybourn grew up in San Antonio, where she met her college sweetheart. She married him on her graduation day and went on to teach high school English and history. During summer vacation at the age of twenty-three, she wrote her first novel. After three years as a teacher, Deanna left education to have a baby and pursue writing full-time.

Fourteen years and many, many rejections after her first novel, she signed two three-book deals with MIRA Books.

"Sex, lies and awesome clothing descriptions" is how one reader described Deanna's debut novel, Silent in the Grave, published in 2007. The first in the Silent series, the book follows Lady Julia Grey as she investigates the mysterious death of her husband with the help of the enigmatic private inquiry agent Nicholas Brisbane. From the drawing rooms of the aristocracy to a Gypsy camp on Hampstead Heath, Silent in the Grave deftly captures the lush ambience of Victorian London.

The series continues with the second book, Silent in the Sanctuary (2008), a classic English country house murder mystery with a few twists and turns for Brisbane and Lady Julia along the way. The third book, Silent on the Moor (2009), is set in a grim manor house on the Yorkshire moors.

March 2010 sees a departure from the series with the release of The Dead Travel Fast, a mid-Victorian Gothic thriller that chronicles the adventures of novelist Theodora Lestrange as she leaves the safety and security of her Edinburgh home for the dark woods and haunted castles of Transylvania. Deanna returns to Lady Julia and her companions with Dark Road to Darjeeling (October 2010). With an exotic setting in the foothills of the Himalayas and the introduction of an archvillain, Dark Road to Darjeeling promises to be the most exciting Lady Julia novel yet.

Deanna plots her books from her home in Virginia. After one too many hot Texas summers, Deanna and her husband packed up their daughter and moved to the mid-Atlantic state, where they enjoy the fall leaves but deeply miss good Tex-Mex cooking.

Still, Virginia has been good to this author. Deanna's novel Silent in the Grave won the 2008 RITA® Award for Novel with Strong Romantic Elements. The Lady Julia Grey series has been nominated for several other awards, including an Agatha Award, a Daphne du Maurier Award, a Last Laugh Award and two Dilys Awards.

You can find Deanna blogging six days a week. Be sure to sign up for her newsletter, check out her contests and book trailer videos and catch her latest appearances at her Web site.

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